A painting by Klee called Angelus Novus depicts an angel moving backwards, away from something which he is staring at. His eyes are opened wide, his mouth stands open and his wings are outstretched. This is how the Angel of History must look. His face is turned towards the past. Where we see the appearance of a chain of events, he sees one single catastrophe, which unceasingly piles rubble on top of rubble and hurls it before his feet. He would like to pause for a moment to awaken the dead and piece together what has been smashed. But a storm is blowing from Paradise, it has caught his wings and is so strong that the Angel can no longer close them. The storm drives him irresistibly into the future, towards which his back is turned, while the rubble-heap before him grows sky-high. This storm is what we call progress. (Benjamin, 1968, 245-255)
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​As for Benjamin’s angel: I think that the storm is no longer coming from the past. Today the storm is blowing from a future that has been depleted of resources and hope and it is driving people back into the past. People are driven towards the womb—or their assumed origins—not the grave. All these old people trying to look young and jaded are a sign that the storm is blowing from collapsing futures towards a fragmented past. (Steyerl, 2017)

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